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I am speaking of a DSLR with an excellent macro lens, and the optical quality can be excellent, however hurrying through thousands can miss a few information. And there are other choices too, listed below. Regardless, the results are more than plenty sufficient, assuming the slides are to digital decently exposed, and clean and in excellent condition.

If you wish to have the ability to see all your old slides once again, then a digital video camera can be a really quick way to do it. A Nikon ES-1 slide copy accessory on a Nikon DSLR with a 60 mm f/2.8 D macro lens, and an added 20 mm extension.

To work on a DX cam (1.5 x crop), the setup as revealed also needs an additional 20 mm extension tube in between lens and ES-1 (revealed, but not consisted of). The ES-1 is an empty tube, a slide holder which includes no glass lens, and is developed to hold the slide in front of a 1:1 macro lens (created for 55 mm focal length on a full frame body).

This macro lens will be optically remarkable to a 10x diopter close up filter on a routine zoom lens. $60 may appear costly for a slide holder, however the job it does is about priceless. This post was written for the ES-1. I to digital have not utilized the more recent ES-2, I have actually just taken a look at its user sheet online.

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The ES-2 also has 52 mm threads, and supplies 2 62 mm thread adapters which work on the full frame electronic camera with both old and brand-new Nikon 60 mm macro lens (the ES-1 does not offer the thread adapters). The Nikon 40 mm lens will fit the 52mm threads, however it is a DX lens, which we are not likely to own for a complete frame video camera.

My guess is this is considerably downplayed for a DX lens on a complete frame body at 1:1 (but extra extension can always be added as a complete option for the 40 mm or 60mm lenses on bodies with cropped sensors. Utilizing a proper extension with this 40 mm DX lens on a full frame body to extend the holder further out would not crop, but then it will be a smaller image, about 2/3 size, ideal for a cropped sensing unit, however which obviously can not then fill a complete frame sensing unit.

The extension needed for the ES-2 possibly may be a little various than the ES-1. The ES-2 is said to be developed for the D 850 electronic camera, undoubtedly due to the fact that the D 850 has a direct color unfavorable inversion mode, describing the reason for the supplied movie strip holder. However it does mean a complete frame body (unless extra extension is utilized as explained here).

The ES-2 is about double cost of the ES-1, and and the ES-1 must easily do mounted 35 mm slides fully also (however cropped sensor bodies will require to include additional extension with either photo copier). The ES-1 is NOT a requirement to copy slides. It is for 35 mm slides, and is created for a 55 mm 1:1 macro lens and a full frame body (crop factor 1).

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An APS cropped sensing unit body (crop factor 1.5) can utilize the ES-1 with 40 to 60 mm macro lenses, however potentially requiring a correct brief extender tube (listed below). This extension length restricts a longer lens with the ES-1. However, a number of other types of setups (without an ES-1) can of course easily work if you can make a method to hold the slide to aim any macro lens at it, with the slide equally lighted from the back.

Said again: The ES-1 is designed for a 55 mm macro lens at 1:1 on a complete frame electronic camera. The ES-1 will not appropriate for lenses quite longer, for example, not with 90 or 105 mm. That may still be imaginable if enough added extension (numerous inches) is possible, but that doesn't appear a common strategy.

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However, other strategies not using the ES-1 must naturally deal with any focal length at any range. Many cases of cam slide copy operations will need a crop of each ended up copy to set accurate borders. Raw images and software application can make this crop really simple, perhaps done as one bulk operation for all (or many).

The very best movie scanners were 4000 dpi, and it was discussed then that 3000 dpi was plenty to deal with film detail. A 12 to 24 megapixel camera with 1:1 macro lens is quite efficient in getting the all the resolution that a normal 35 mm slide needs to give. And the high quality cam macro lens is superb, compared to what is in $200 scanners.

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Best case is a slide copy enabling one film measurement to fill the frame (slides smaller than the video camera sensor will not fill the frame at 1:1). There is a calculator for copying slides with a digital cam and macro lens. It computes the essential zooms and size results, and is basic purpose, NOT just for the ES-1.

This article is about utilizing the ES-1. Nevertheless, the ES-1 is not always required, it is just a slide holder. There definitely are other simple ways without it, or for larger movie, or longer lenses. Just put the cam on a tripod and aim it at the slide, lighted from behind.

So, you can simply design some way to place the movie at the right range out in front of the macro lens. The slide holder will be the only tough part, but it need not be fancy (you will end up all your slides pretty early, and run out usage for it.) The video camera lens ought to be 90 degrees straight onto the slide.