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Or the ES-1 is a slide holder, which with the ideal lens, basically looks after all of this, very easily. There is benefit of having the slide physically connected to the lens - there is no cam shake. The ES-1 does this. Otherwise, simply using a brief wood board, with a 1/4"-20 UNC screw (regular stuff in any North American hardware shop) to hold the camera at one end with its tripod socket, and holding the slide holder in front of the lens (one of them with a short slot for adjustable moving range to set focus range to the slide), need to work well.
BR-5 step-down, 2. K 5 ring, 3. ES-1 This Nikon 60 mm f/2.8 D AF macro lens is about $500, and there are other similar lenses. One person commented that they leased a macro lens for $40 to do the task cheaply. It does appear a great concept to get your slide mounting/lighting setup mainly exercised before you lease the lens.
There is now a more recent 60 mm AF/S lens, and a Nikon 40 mm AF/S DX macro lens, both of which have much shorter working distance in front of the lens, and must work (on a DX cam) without any additional spacers. The ES-1 attachés to a 52 mm filter thread, so it must fit any brand of DSLR.
There are naturally other comparable thread adapters much less costly. The ES-1 copy attachment is essentially an empty tube or spacer. It is https://en.search.wordpress.com/?src=organic&q=slides to digital 2 telescoping tubes really, with a one inch length change. It telescopes to hold the slide from between 45 mm to 68 mm in front of the lens filter thread.
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The macro lens does all of the optical work. DX cameras: (APS-C, 1.5 x crop aspect) The ES-1 is created for a full frame cam utilizing the Nikon 55 mm f/2.8 macro lens. The problem is that for today's DX digital SLR with the 1.5 x or 1.6 x lens crop element, the 35 mm slide is half once again larger than the DX sensor.
The 1.5 x crop sensor now requires a smaller image, more like a 0.67 recreation size (which is 1:1.5), to fit the bigger slide onto the smaller sensor. That needs a longer operating distance in front of the lens. But the ES-1 does not adjust that far, which indicates that the cropped sensor body (1.5 x or 1.6 x crop aspect) needs an additional spacer in front of the lens so the ES-1 can be adapted to hold the slide further out in front, to appear as the smaller sized 0.67 size, so it will not be cropped exceedingly.
Rather, this is speaking of a simple tube about 20 mm long, with 52 mm threads on both ends, that goes between the 60 mm lens and the ES-1, to extend the ES-1, to hold the slide a little farther out, to attain more distant concentrate on the DX body.
So I used the K 5 tube shown (only the one K 5 threaded tube, and NOT the remainder of the extension set), which works excellent with the ES-1 on DX with a 60 mm D lens. The K 5 tube is an easy aluminum tube, 20 mm long, with 52 mm filter threads at each end, and this usage puts it in between the lens and the ES-1.
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The ES-1 telescopes almost an inch (24 mm), but 60 mm on a DX body needs this much more (and the telescoping still enables change). Finding that extra extension for a cropped sensor body is the issue. slides to digital albuquerque See more about the Various situations: Multiple Nikon users inform me that a Nikon 40 mm f/2.8 G DX macro lens works well with the ES-1 without additional extension or adapter ring (it is a DX lens).
My 60 mm Nikon AF Micro Nikkor f 2.8 D lens needs a 20 mm additional spacer (included between lens and ES-1) to cover the full slide frame on the Nikon 1.5 x DX DSLR. NOTE: Mine mentioned here is the older 60 mm D lens. However the newer 60 mm AF-S lens is said to have a much shorter working distance in front of the lens at 1:1 (50 mm new lens vs 71 mm old lens).
An old Nikon 55 mm f/3.5 macro lens on the DX cam needs about 10 mm extension. These do 1:2, requiring their own extension tube (behind the lens) to reach 1:1. However just 1:1.5 is required to do move copies on DX, and instead, 10 mm extension (in front of lens) decreases the apparent slide size to offer that.
I have not seen this lens, however it is said to have a 90 mm working distance at 1:1, so this sounds conveniently best for slides at 1.6 x crop. A longer macro lens (like 105 mm) can naturally copy slides, but using the ES-1 with them seems less reasonable (requires substantial additional extension, but possible).
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See the Nikon ES-1 instruction sheet. Full frame (FX) electronic cameras: The Nikon ES-1 was designed for complete frame movie bodies to copy installed slides at 1:1 with a 55 mm macro lens. The ES-1 instruction sheet also includes the 60 mm f/2.8 D lens, defining it gives 0.96 to 1.0 reproduction with the BR-5 installing ring on a full frame camera.
At right is utilizing a complete frame D 800 with 60 mm D lens using the ES-1 at its optimum extension (alone, with only the BR-5). It needs less extension for a better bigger cropped view, however this longer 60 mm lens can not focus closer than 1:1. This existing view seems really usable if you https://www.washingtonpost.com/newssearch/?query=slides to digital crop every one a little (which you likely wish to do anyhow, in many cases).